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Synopses

Brief synopsis
Longer synopsis

Brief synopsis

I TOLD YOU I WAS ILL: THE LIFE AND LEGACY OF SPIKE MILLIGAN is an intimate and deeply personal portrait of comic genius Spike Milligan through the eyes of his brother, three daughters and third wife. Each saw a very different side of this complex and multifaceted man who forever changed English comedy and trampled on the notions of decorum and deference. For the first time his family have opened up their personal archives to reveal Spike as a brilliant, tortured and visionary man who trod the thin line between genius and debilitating depression.

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Longer synopsis

I TOLD YOU I WAS ILL is an intimate and deeply personal portrait of Spike Milligan through the eyes of his brother Desmond, his daughters Laura, Sile and Jane and his third wife, Shelagh. Each saw a very different side of this complex and multifaceted man who has forever changed English comedy and trampled on the notions of decorum and deference. A surprising and sometimes startling portrait of Spike emerges as a father, brother and husband, a deeply compassionate and profoundly sensitive man who trod the thin line between genius and debilitating depression.

For centuries there has been debate about the connection between creative genius and mental illness and particularly manic depression, now known as bipolar disorder. Aristotle asked in the 4th century BC "Why is it that all men who are outstanding in philosophy, poetry or the arts are melancholic?" English poet John Dryden wrote: "Great wits are sure to madness near allied" and throughout the 20th Century the claim has been made that "there is a thin line between genius and madness". The life and legacy of Spike Milligan adds a new chapter to this debate.

The central storyteller of the film is Spike’s youngest daughter, Jane Milligan. She and her sisters Laura and Sile have agreed for the first time to open their family archive and tell the story of their father as they knew him. They do not believe that Spike’s depression was inherited or that it has been passed down to the Milligan children and grandchildren. Jane speaks to people who were close to Spike during key periods in his life, and through these interviews and archive footage, the story of Spike’s life is re-examined and reviewed.

Much of the story is located in a small Australian town just north of Sydney called Woy Woy, where Spike’s parents lived for 40 years and where Spike made frequent visits. He wrote many of his famous books in his parent’s small weatherboard house and became involved in local campaigns to protect the environment and heritage of the area. Over the years, Woy Woy came to regard Spike as one of their own, and after his death, the town came together to stage a unique festival called Spikefest in honour of their famous visitor. Spike’s brother Desmond and daughters Laura and Jane played an active role in the festival, and Desmond allowed the crew to film in the Woy Woy house which is like a museum of Milligan family history and memorabilia. His own archive plus Jane’s discovery of Spike’s old home movies shot in Woy Woy create a vivid picture of Spike’s family history in Ireland, India and their connection to Australia.

The story of Spike’s professional life is revealed through his manager Norma Farnes, and colleagues such as Eric Sykes, Joanna Lumley, Eddie Izzard and Michael Palin. His children reveal what he was like as a father, sharing their memories as well as their photographic, audio and visual archives. Shelagh Milligan talks about Spike from the perspective of a wife and partner for 25 years.

This unique portrait of a man who changed the face of English comedy and left an indelible impression wherever he went is accompanied by a comprehensive web site with a rich array of additional features. A DVD is currently in production. The film includes a rich archive of Spike Milligan material from the BBC and ABC as well as valuable personal and family photographs, audio tapes and home movies of Spike with his family, where he claims he came closest to finding some kind of happiness and a sense that his life was worthwhile.

Produced by Jeff Canin and Cathy Henkel, Hatchling Productions, January 2005.

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  Jane Milligan with photo of Spike




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Adelaide Film Festival and Hatchling Productions Pty Ltd 2005.